Reviews

 
 
 

Music and dance reviews...

Mysore V Subramanya , Bangalore, April 7, 2013, DHNS:

 
A new cultural organisation

One more organisation was added to the long list of Sangeetha Sabhas of the City. Krishna Kala Kendra was inaugurated by Dr R K Srikantan, veteran musician, last Sunday and Anoor Dathatreya Sharma inaugurated the website.

The Sabha is aiming to cater to the cultural needs of the connoisseurs of Vasanthpura and the surrounding areas. Vinay Sharva, who gave the inaugural concert, had his initial lessons from S Shankar and has been receiving advance lessons from none other than Nedanuri Krishnamurthy. Apart from a good repertoire, Vinay is also well versed in Simhanandana Thala, also.
 
The opening varna ‘Sarasuda’ was itself a revelation of Vinay’s good training. For a change he chose a gem from the treasure chest of Mayuram Viswanatha Sastry. It was in the raga Naata and the chitteswara was also attractive. A infrequent krithi Vallagadanak Seetha Vallabha of Saint Tyagaraja was a welcome change from the routine, reserving the elaboration to the day’s chief raga Bhairavi. With his deep sonorous voice, he brought a distinct imagery of the raga. After a long time we heard the Yenatinomu with well-knit nerval (Sundaresha Suguna Brinda Dasharath).
Swara Prasthara which was lively, was also appealing. Devotionals - Jagadoddarana and Vandipenamma Muddu Sharade – were also rendered with a melodic grace. Vinay Sharva’s career is worth watching. H M Smitha on the violin, Anoor Anathakrishna Sharma on the mridanga and Bharadwaj Sathavalli on morching, lent a good support throughout.

Yuva Sambhrama

The Sangeetha Sambhrama conducted the “Yuva Sambhrama” – a festival of music and dance by young artistes.

Sindhu Suchetan and H S Smitha, young violinists, gave a solo violin recital, accompanied by B S Prashant on the mridanga and Kartheek on khanjari. In the first half of the concert, the sisters chose Saraswati for raga delineation. Saraswati is a Audava Shadava rakti raga. It is believed that Saint Tyagaraja popularised this raga through the composition “Anuragamuleni.”

Through this raga the sisters created a fine musical atmosphere. Sindhu and Smitha’s violin duet was marked for their good “Manodharma,” easily rising the melodic report to a crescendo in Mohana. It was a sort of reassuring concert.

A pleasant dance drama

The students of Vaishnavi Natyashala gave a dance drama “Bibi Nachiar” under the direction of Mithun Shyam, in the “Yuva Sambhrama.”
The story of Bibi Nachiar is well known and the young students opening with Seshadeva, Harijans of Tirunarayanapura (Melkote) and dreams of Princess of Moghul Durbar. 35 youngsters between 6 and 30 years – changing their roles in quick succession, performed with gay abandon. Their abhinaya was good and lively.

Duet by father, son


Nagaraj Hawaldar gave a Hindustani vocal, under the aegis of the Bangalore Lalithakala Parishat. There was a family touch also, in the artistes’ selection.
Nagaraj’s son Omkar Nath Hawaldar gave vocal support, while another son Kedarnath Hawaldar gave tabala support and their close relative Sameer Hawaldar was in charge of the harmonium.

Nagaraj and Omkarnath Hawaldar opened their vocal recital with Purya Dhanasri. Starting slowly, they gradually – from swara to swara – climbed and reached the Thara stayee. The deep phrases lent a convincing imagery of the melody. They captured the listeners with a wholesome raga. It was followed by a number of devotionals – both Devaranama and Vachana. Aada Pogona Baro Ranga (Durga), Karuniso Ranga (Jogiya), Akka Kelavva (Pahadi) and Neene Dayalu Nirmala Chitha (Bhairavi) – delighted the connoisseurs.
 

A bright start to Krishna Kala Kendra

 
Sangeeta Kalanidhi R.K.Srikantan & Mysore V Subramanya inaugurated the Krishna Kala Kendra at the holy premises of Sri Bhavani Shankar Temple, Vasantapura on a sunny 31st March morning.  It was followed by a vocal recital of Vinay Sharva, who was accompanied by H.M. Smitha on Violin, Anoor Ananta Krishna Sharma on Mridanga & Bharadwaj Satavalli on Morching.

A rigorous start in Saveri, a varna ‘Sarasuda’ was followed by an uplifting raga Naata, Mayuram Viswanatha Shastry’s composition ‘Sri maha ganapathe’.

 Saint Thyagaraja always deserves special attention in any concert, and so Vinay beautifully sketched Thyagaraja’s compositions, three in a row. ‘Vallagaadhaanaka’ in raga Harikamboji was a treat to the music lovers. Smitha’s support on Violin was subtle yet strong. This was followed by an emotive Ahiri, ‘Challare Ramachandru’.
 
 As the sun shone brighter & higher, so did the music.  A mesmerizing Bhairavi, a master piece,‘Enatino Phalamu’ was the king of the concert. The nerval & swara at Sundaresha was well-planned and well-delivered; No clichés, no fancy, just simple pure music. The highlight was the tani, which maestro Shivu Sir fascinated the audience by his scintillating beats & Bharadwaj reciprocated with challenge.
 
nbsp;‘Jagadodharana’ composed by the Pitamaha of Carnatic music was rendered at madhayama shruti in raga Kapi. Vinay closed his concert with a ragamalika shloka & a light song ‘Nambide ninna muddu sharade’.